Reviews

Benny Benassi Vs Marshall Jefferson "Move your Body" Benny Benassi Vs Marshall Jefferson “Move your Body”

You’re in for a treat from the Italian producer that brought you “Satisfaction” and “Cinema”. Benny has tastefully created uplifting house music for decades, and now he is back with remix of a house classic.

Marshall Jefferson’s 1986 hit, ” Move your Body” is an iconic house music track that brought life to the underground parties, at the beginning of a rave revolution. Since the beginning, future generations of DJ’s and Producers have been inspired by tracks like this. Now that dance music is stronger than ever, and with new artists bursting in the scene almost faster than the speed of sound, we can’t help but wonder how the classics would sound  if they were written almost 26 years later.

The piano section at the beginning has been replaced with a collective of strings and brass synths, the track eases in smoothly. A longer and digital reverb has been added to compliment the polished re-work of the backing track. Some of the original elements of track were incorporated in to the remix such as the main hook, 808 sounding drums and the piano. More bass has been added to emphasise the bass drum, whilst sounding plucky. Benny Benassi has always brought fresh ideas to the table. Having been in the music industry since the late eighties, Benny doesn’t only move the times, he is one step ahead.

Escandalo - Nocturning Escandalo – Nocturning

All of a sudden I’m thinking Armand Van Helden, but then he was the guy that did “NYC Beat” and this is NYC house music. Their second release, Escandalo are a New York City electronic music band who cite Caribbean, Freestyle and Goth influences. Being a true NYC project, Escandalo called on local talent to add depth and variety to the remix project. House of Stank, Best Mate, Austin Downey, Jung & Palmer, Sir Jemma, Al B & Garito, Max Tannone, and DJ Nita are included, as well as a new Bonus Remix of ‘La Bruja’, Escandalo’s first single, by Johnny Dynell.

Nocturning is deeply sophisticated, deeply varied. The Al B & Garito remix features some typical traditional house elements, whilst the stunning Austin Downey edit is a sleek melodic number thriving on class, a suspiciously Parisian Prog-House feel. The DJ Nita remix is sweetly balanced and makes even better use of the vocal samples.

In fact, there isn’t really a bad edit or remix here, affirming the reality that this is the cream of NYC talent on display. Despite being NYC based we can see most tracks here fitting in perfectly with house after parties all around the globe, serving as the perfect accompaniment to later-night frolics.

Check out the original and video below, but we strongly advise you judge this release on the merits of the remixes.

 

iTunes & RMXs: http://itunes.apple.com/us/album/nocturning/id467427769
and beatport: http://www.beatport.com/release/nocturning/688041

Kid Massive Kid Massive

A Little Louder

Nothing can prepare you for the full on music that’s about to hit the airwaves. What’s surprising about Kid Massive is that he doesn’t restrict himself to one music genre. This is what makes the album exciting. Expect a wide spectrum of dance music, from Techno to House and expect this album to play on repeat all night.

The Album Corkers

“A Little Louder” is a funky party track on the album that emits a euphoric energy and creates warmth. Although the vocals in the mix sound a little artificial, people will be still belting out the tune at 4am, and successfully turning the dance floor in to full on round of karaoke. The bassline is catchy and pumpy and the combination of instruments are tasteful.

“Don’t cry” is formed by an eclectic combination of digital synths and sexy edgy male vocals to match beautifully. The lyrics to the track are soulful and infectious.

” Yawn” is an action packed track that has a catchy bassline, punchy snares, MCing and singing. This track is guaranteed to filter itself in to the charts. Although MCing and Vocals have been added to a monster of a backing track, it’s no where near as cheesy as dance music purists expect. Kid Massive is the artist to look out for this year.

 

 

Freak Seven - We Bring The Music Freak Seven – We Bring The Music

Raw, deep, “We Bring The Music” demonstrates Frank Seven’s (real name Nav Akhtar) ability to combine fresh vocals (courtesy of a second collaboration with Aniff Akinowla) with moving house vibes. From Manchester, Frank Seven is further evidence that as well as phenomenal band scene Manchester is also home to some of the best emerging dance music talent in the UK.

Everything about this track is acutely balanced and well thought out, and the Jimpster remix twists the track completely into a funky house number that will surely find its way onto a Fierce Angels compilation sometime this year. If it doesn’t, then I must be mis-understanding the word “abomination”.

After his brilliant Rush Hour debut “Nano Kids”, “We Bring The Music” comes courtesy of 2020Vision and will be released on the 30th January on 12″ and digital.

Mat Zo & Arty - Mozart Mat Zo & Arty – Mozart

A second collaboration for these two young but incredibly talented Trance producers sees a slightly different sound. There’s the Mat Zo trademark vocal sample and build up and the track conveys a stronger house music vibe – which will probably lead to a very successful release.

It’s practically frothing with energy and the collaboration is a seamless synergy of creative talent. This track is good but we’re expecting truly great things from Mat Zo & Arty.

Shifted - Control EP Shifted – Control EP

Whenever you tell a non-dance-music-educated (or NDME) individual that you like dance music, you’re often met with a eye-rolling reaction followed by a hefty sigh and a comment along the lines of “anything not made with an instrument isn’t music” or “what like that ‘Cascada’ shit?”

The truth is, as you and I (the more educated followers of the genre) know, is that dance music is as varied and musically accomplished as every other genre – providing you make the effort to find the “good shit”.

And here we have some real steamy good shit. “Control” is an EP released by Shifted on the “Our Circula Sound” label that in the space of just three tracks would be sure to wipe the smiles off those arrogant toss-pots that talk down the genre. It starts of with Telic, a high-tempo but deep club track that would finish most peoples nights off – but in a fashion that would have you leaving the venue grinning from ear to ear. It’s shifty but constructed. “Solus” is also high-tempo but ferociously melodic, vibrant yet strangely comforting. I don’t know how to put it except that it’s like wearing a really warm blanket in winter that happens to be pulsing madly with coloured light.

“Image Tunnel” is an inspiring wind down, it’s more downbeat and sounds like the kind of music you hear playing when you go to see those weird and wonderful art-movies at festivals – and I mean that in the best possible way, it’s wonderfully invigorating.

Control then is extremely melodic, high/slow tempo, atmospheric, there are some awesome beats here, the perfect soundtrack to late night saturday shenanigans.

Released 16th December 2011 on Our Circular Sound Records

Counterstrike - Collaboration EP Part 4 Counterstrike – Collaboration EP Part 4

Counterstrike bring us the fourth chapter of the collaboration series on their own imprint ‘Counterstrike Recordings’. Previous releases have included dancefloor destroyers with heavyweight names such as Cooh, Receptor and DJ Hidden, and this latest offering doesn’t disappoint. The two tracks featuring German neuro master Current Value (Obsessive 3am Mix/Obsessive 4am Mix) are typical of the styles of both these well established artists – in-your-face, pounding, relentless Drum & Bass.

There’s nothing especially groundbreaking about these two tunes but fans of this genre will appreciate their no-nonsense darkness. Counterstrike & Nympho – ‘Midway’ is more of a rolling tune, with sharp bass stabs and intricate breaks guaranteed to get the crowd moving.

The stand out track on this EP is the collaboration with Syd Vischi (aka Hybris). A grumbling bassline sits behind what sounds like the world’s tightest snare drum. In fact I’m dying to hear this on a big soundsystem, one of those tracks you know is going to knock you back a foot or two when it drops.

An all-round solid release from South Africa’s finest pioneers of the dark!