It was probably inevitable after some time that two of America’s biggest dance exports would collaborate. We like a bit of Kaskade, but Skrillex? His twisted take on dubstep was O.K the first time around, but by the fourth, fifth, millionth track we’ve tired of his sound.
Oh, it’s not too bad. It’s extremely commercial though, but you might like it when you’re preparing for a night out. The troubling thing is, whilst dance music in America is witnessing something of an incredible resurgence, if this is the peak of it, then I’m not sure it will ever have the longevity to compete with the UK and Europe.